Fake love letters, forged telegrams, and prison escape maps : designing graphic props for filmmaking / Annie Atkins.

By:

Atkins, Annie [author]

Material type: Text

text
still image

Media type:

unmediated

Carrier type:

volume

ISBN:

9780714879383
071487938X

Other title:

Designing graphic props for filmmaking

Subject(s):

LOC classification:

PN1995.9.S69 A85 2020

Contents:

Details -- Research -- Zubrowka -- Continuity -- Language -- Tools.

Summary: Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.

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Holdings
Item type	Current library	Home library	Collection	Call number	Copy number	Status	Date due	Barcode
Book	Merkez Kütüphane Genel Koleksiyon / Main Collection	Merkez Kütüphane	Genel Koleksiyon	PN1995.9.S69 A85 2020 (Browse shelf(Opens below))	1	Available		0063684

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Previous	PN1995.9 .R4 E53 2011 Beyaz perdenin din algısı : sinema-din ilişkileri üzerine bir analiz /	PN1995.9.S26 .K56 2006 Science fiction cinema :	PN1995.9.S26 O863 1982 Çağdaş fantazya : popüler kültür açısından bilim-kurgu ve korku sineması /	PN1995.9.S69 A85 2020 Fake love letters, forged telegrams, and prison escape maps : designing graphic props for filmmaking /	PN1995.9.T87 C45 1994 Mektup /	PN1995.9.T87 S319 2003 Türk sinema tarihi /	PN1995.9.T87 S36 2006 Batı sinemasında Türkiye ve Türkler /	Next

Details -- Research -- Zubrowka -- Continuity -- Language -- Tools.

Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.

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