What is African American literature? / by Margo N. Crawford
Material type:
- text
- computer
- online resource
- 9781119123354
- 1119123356
- 9781119123361
- 1119123364
- 9781119123378
- 1119123372
- PS153.N5 C73 2021
Item type | Current library | Home library | Collection | Call number | Status | Notes | Date due | Barcode | |
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Merkez Kütüphane | Merkez Kütüphane | E-Kitap Koleksiyonu | PS153.N5 C73 2021EBK (Browse shelf(Opens below)) | Geçerli değil-e-Kitap / Not applicable-e-Book | EBK01725 |
Browsing Merkez Kütüphane shelves, Collection: E-Kitap Koleksiyonu Close shelf browser (Hides shelf browser)
PR6059.S5 Z746 2016EBK Kazuo Ishiguro in a global context / | PR9199.3.A8 Z88 2016EBK The political in Margaret Atwood's fiction : the writing on the wall of the tent / | PS92 .K57 2014EBK A short literary history of the United States / | PS153.N5 C73 2021EBK What is African American literature? / | PS305 .C66 2022EBK A companion to American poetry / | PS310.N4 H47 2016EBK The heritage series of Black poetry, 1962-1975 : a research compendium / | PS371 .C66 2012EBK A companion to the American novel / |
Includes bibliographical references and index.
Introduction: The Affective Atmosphere of African American Literature -- The Textual Production of Black Affect: The Blush of Toni Morrison's Last Novel -- Mood Books -- The Vibrations of African American Literature -- Shiver: The Diasporic Shock of Elsewhere -- Twitch or Wink: The Literary Afterlife of the Afterlife of Slavery
"In "Toni Morrison on a Book She Loves," Morrison explains how Gayl Jones' novel Corregidora (1975) transformed African American women's literature. As Morrison remembers her first encounter of Corregidora, she foregrounds the textual production of affect (a "smile of disbelief" that she still "feels on her mouth" two years after reading Jones' manuscript). Morrison writes: What was uppermost in my mind while I read her manuscript was that no novel about any black woman could ever be the same after this... So deeply impressed was I that I hadn't time to be offended by the fact that she was twenty-four and had no "right" to know so much so well... Even now, almost two years later, I shake my head when I think of her, and the same smile of disbelief I could not hide when I met her, I feel on my mouth still as I write these lines"-- Provided by publisher
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