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Fake love letters, forged telegrams, and prison escape maps : designing graphic props for filmmaking / Annie Atkins.

By: Material type: TextTextLanguage: İngilizce Publisher: London : Phaidon Press Limited, 2020Copyright date: ©2020Description: 206 pages : illustrations (chiefly color) ; 26 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780714879383
  • 071487938X
Other title:
  • Designing graphic props for filmmaking
Subject(s): LOC classification:
  • PN1995.9.S69 A85 2020
Contents:
Details -- Research -- Zubrowka -- Continuity -- Language -- Tools.
Summary: Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.
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Holdings
Item type Current library Home library Collection Call number Copy number Status Date due Barcode
Book Book Merkez Kütüphane Genel Koleksiyon / Main Collection Merkez Kütüphane Genel Koleksiyon PN1995.9.S69 A85 2020 (Browse shelf(Opens below)) 1 Available 0063684

Details -- Research -- Zubrowka -- Continuity -- Language -- Tools.

Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.

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