000			03061cam a2200373 i 4500
999			_c200425307 _d21254
001			200425307
003			TR-AnTOB
005			20240416163327.0
007			ta
008			130306s2013 mdua b 001 0 eng d
020			_a9781434441508
040			_aTR-AnTOB _beng _erda _cTR-AnTOB
041	0		_aeng
050		4	_aTR892.4  _b.B48 2013
090			_aTR892.4 _b.B48 2013
100	1		_aBetancourt, Michael, _d1970- _eauthor _9116371
245	1	4	_aThe history of motion graphics : _bfrom avant-garde to industry in the United States / _cMichael Betancourt.
264		1	_aRockville, Md. : _bWildside Press, _c2013.
264		4	_c©2013
300			_a314 pages : _billustrations ; _c23 cm
336			_atext _2rdacontent _btxt
337			_aunmediated _2rdamedia _bn
338			_avolume _2rdacarrier _bnc
504			_aBIBINDX
505	0		_aPrehistory -- Synaesthesia -- Color music -- Color music inventors -- Visual music -- Kinetic typography -- Inventing the abstract film -- The futurist abstract films (1909-1912) -- Léopold Survage (1879-1968) -- The Dada/Constructivist cinema (1919-1929) -- Man Ray’s Le retour à la raison (1923) -- Murphy & Léger’s Ballet mécanique (1924) -- Walther Ruttmann (1887-1941) -- Viking Eggeling (1880-1925) -- Hans Richter (1888-1976) -- Marcel Duchamp’s Anémic cinéma (1926) -- Laszlo Moholy-Nagy (1895-1946) -- Towards a universal language of media -- The sound film -- Montage -- Oskar Fischinger (1900-1967) -- Mary Ellen Bute (1906-1983) -- Len Lye (1901-1980) -- Norman McLaren (1914-1987) -- Modernist television -- John (1917-1995) & James (1921-1982) Whitney -- Harry Everett Smith (1923-1991) -- Avant-garde film in parallax -- American modernism -- The rise of post-war abstraction -- Design on TV -- The "television project" -- Commercials & the experimental film -- Mainstreaming the avant-garde -- Museum validation -- Intermedia -- The Vortex concerts -- ’Structural’ film studies -- The invention of video art -- Signal/image processing -- Inventing computer art -- The computer film -- Programmed animations -- Stan VanDerBeek (1927-1984) -- Lillian Schwartz (1927-) -- John Whitney’s ’Digital harmony’ -- Media convergence -- Digital video -- Feature film title design -- The early (experimental) period -- The studio period -- The designer period -- The logo period -- The contemporary designer period -- TV & video game title design -- Live TV -- Broadcast/network TV -- Cable TV -- Internet -- Video game titles -- Video game end titles -- The context of title design -- The continuing synaesthetic tradition -- Stan Brakhage (1933-2003) -- Dennis H. Miller -- The digital experiment -- Commercial synaesthesia.
650		0	_aVideo art _xHistory _9116373
650		0	_aTelevision commercials _9116374
650		0	_aExperimental films _xHistory and criticism _9116375
650		0	_aCinematography, Abstract _9116376
650		0	_aComputer animation _9202
650		0	_aComputer art _9116372
942			_2lcc _cBK