000			01981cam a2200337Ma 4500
999			_c200427918 _d45842
001			824602042
003			TR-AnTOB
005			20190322123634.0
008			120724s2013 cau b 001 0 eng d
020			_a9781446209257
020			_a9781446209264 _cpaperback
035			_a(OCoLC)824602042
040			_aNLE _beng _cNLE _dTR-AnTOB _erda
041			_aeng
050	1	4	_aHM621 _b.H47 2015
090			_aHM621 _b.H47 2015
100	1		_aHesmondhalgh, David, _d1963- _eauthor
245	1	4	_aThe cultural industries
250			_aThird edition
264			_aLondon : _bSAGE, _c2015.
300			_a456 pages : _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index
505	0		_aIntroduction: Change and Continuity, Power and Creativity -- PART ONE: ANALYTICAL FRAMEWORKS -- Theories of Culture, Theories of Cultural Production -- Cultural Industries in the Twentieth Century: The Key Features -- Why the Cultural Industries Began to Change in the 1980s -- PART TWO: POLICY CHANGE -- Marketization in Telecommunications and Broadcasting -- Further Changes in Policy: Copyright and the Cult of Creativity -- PART THREE: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1980 TO 2012 -- Ownership, Structure and Size -- Creativity and Commerce, Organization and Labour -- Internationalism: Neither Globalisation Nor Cultural Imperialism -- Digitalisation and the Internet -- The Impact of the Internet and Digitalisation on Existing Cultural Industries -- Texts: Diversity, Quality and Social Justice -- Conclusions: A New Era in Cultural Production?
520	8		_aAddressing the entertainment and information sectors of the major Western economies, David Hesmondhalgh's study offers an overview of the key issues and debates surrounding the cultural industries
650		0	_aCultural industries
942			_2lcc _cBK