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008 150111s2015 ne | s |||| 0|eng d
020 _a9789401795616
_z978-94-017-9561-6
024 7 _a10.1007/978-94-017-9561-6
_2doi
040 _aTR-AnTOB
_beng
_cTR-AnTOB
_erda
050 4 _aQ334-342
072 7 _aUYQ
_2bicssc
072 7 _aCOM004000
_2bisacsh
072 7 _aUYQ
_2thema006.3
_223
245 1 0 _aPatterns of Intuition :
_bMusical Creativity in the Light of Algorithmic Composition /
_cedited by Gerhard Nierhaus.
264 1 _aDordrecht :
_bSpringer Netherlands :
_bImprint: Springer,
_c2015.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aOutline of the compositional structure(s) to be investigated -- The algorithms/procedures used -- Findings -- Improvisation in Trees -- Electronic Music for an Acoustic Piano -- Forbidden Melodies -- The Semantics of a String Quartet -- Comments from renowned scientists from related research areas of Algorithmic Composition, Musicology, Artistic Research, Creativity.
520 _aThe present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic and cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields.
650 0 _aArtificial intelligence.
650 0 _aMusic.
650 0 _aEngineering.
650 1 4 _aArtificial Intelligence.
_0http://scigraph.springernature.com/things/product-market-codes/I21000
650 2 4 _aApplications of Graph Theory and Complex Networks.
_0http://scigraph.springernature.com/things/product-market-codes/P33010
650 2 4 _aComplex Systems.
_0http://scigraph.springernature.com/things/product-market-codes/M13090
650 2 4 _aMusic.
_0http://scigraph.springernature.com/things/product-market-codes/417000
650 2 4 _aComplexity.
_0http://scigraph.springernature.com/things/product-market-codes/T11022
700 1 _aNierhaus, Gerhard.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
710 2 _aSpringerLink (Online service)
856 4 0 _uhttps://doi.org/10.1007/978-94-017-9561-6
_3Springer eBooks
_zOnline access link to the resource
942 _2lcc
_cEBK
041 _aeng