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007 | cr nn 008mamaa | ||
008 | 150708s2015 gw | s |||| 0|eng d | ||
020 |
_a9783319112367 _z978-3-319-11236-7 |
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024 | 7 |
_a10.1007/978-3-319-11236-7 _2doi |
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040 |
_aTR-AnTOB _beng _cTR-AnTOB _erda |
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050 | 4 | _aNX260 | |
072 | 7 |
_aH _2bicssc |
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072 | 7 |
_aCOM014000 _2bisacsh |
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072 | 7 |
_aUXA _2thema004 _223 |
|
100 | 1 |
_aAgustín-Aquino, Octavio Alberto. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut |
|
245 | 1 | 0 |
_aComputational Counterpoint Worlds : _bMathematical Theory, Software, and Experiments / _cby Octavio Alberto Agustín-Aquino, Julien Junod, Guerino Mazzola. |
264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Springer, _c2015. |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
||
490 | 0 |
_aComputational Music Science, _x1868-0305 |
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505 | 0 | _aCounterpoint -- First-Species Model -- Preliminary Background -- Quasipolarities and Interval Dichotomies -- Towers of Counterpoint -- Graphs -- Transformations -- Implementation -- Second-Species Model -- Hypergesture Homology -- Glossary -- Index. | |
520 | _aThe mathematical theory of counterpoint was originally aimed at simulating the composition rules described in Johann Joseph Fux’s Gradus ad Parnassum. It soon became apparent that the algebraic apparatus used in this model could also serve to define entirely new systems of rules for composition, generated by new choices of consonances and dissonances, which in turn lead to new restrictions governing the succession of intervals. This is the first book bringing together recent developments and perspectives on mathematical counterpoint theory in detail. The authors include recent theoretical results on counterpoint worlds, the extension of counterpoint to microtonal pitch systems, the singular homology of counterpoint models, and the software implementation of contrapuntal models. The book is suitable for graduates and researchers. A good command of algebra is a prerequisite for understanding the construction of the model. | ||
650 | 0 | _aInformation systems. | |
650 | 0 | _aMusic. | |
650 | 1 | 4 |
_aComputer Appl. in Arts and Humanities. _0http://scigraph.springernature.com/things/product-market-codes/I23036 |
650 | 2 | 4 |
_aMusic. _0http://scigraph.springernature.com/things/product-market-codes/417000 |
700 | 1 |
_aJunod, Julien. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut |
|
700 | 1 |
_aMazzola, Guerino. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut |
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710 | 2 | _aSpringerLink (Online service) | |
856 | 4 | 0 |
_3Springer eBooks _zOnline access link to the resource _uhttps://doi.org/10.1007/978-3-319-11236-7 |
942 |
_2lcc _cEBK |
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041 | _aeng |