000 01473cam a2200445 i 4500
999 _c200435874
_d54086
001 200435874
003 TR-AnTOB
005 20220801100105.0
007 ta
008 130829s2017 ne a 000 0 eng d
015 _aGBB385648
_2bnb
016 7 _a016500155
_2Uk
020 _a9789063693343
_q(pbk.)
020 _a9063693346
_q(pbk.)
029 1 _aAU@
_b000053750439
029 1 _aCHBIS
_b010359057
029 1 _aCHVBK
_b330615726
029 1 _aNZ1
_b15687529
035 _a(OCoLC)858826719
040 _aUKMGB
_beng
_erda
_cUKMGB
_dOCLCO
_dSINLB
_dYDXCP
_dOCLCF
_dCHVBK
_dOCLCQ
_dTR-AnTOB
041 0 _aeng
050 1 4 _aNC730
_b.H527 2017
090 _aNC730
_b.H527 2017
100 1 _aHlavacs, George Michael
_eauthor
_9124844
245 1 4 _aThe exceptionally simple theory of sketching :
_bwhy do professional sketches look beautiful? /
_cGeorge Hlavacs.
250 _a3rd printing
264 1 _aAmsterdam :
_bBIS Publishers,
_c2017.
300 _a35 pages :
_billustrations (some color) ;
_c23 cm +
_e14 sheets
336 _atext
_btxt
_2rdacontent
336 _astill image
_bsti
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _a+14 Shading exercise
650 7 _aDrawing
_xTechnique.
_2fast
_0(OCoLC)fst00897757
650 7 _aSkizze.
_0(DE-588)4181668-7
_2gnd
650 7 _aZeichnen.
_0(DE-588)4067453-8
_2gnd
650 0 _aDrawing
_xTechnique
_963792
942 _2lcc
_cBK