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008			210507s2021 ne abcd b 001 0 eng d
015			_aGBC1H1110 _2bnb
016	7		_a020357743 _2Uk
020			_a9789492095817 _q(paperback)
020			_a9492095815 _q(paperback)
020			_z9789493246034 _q(electronic book)
020			_z9493246035 _q(electronic book)
024	3		_a9789492095817
040			_aERASA _beng _erda _cERASA _dVU@ _dUKMGB _dCAD _dZVP _dOCLCF _dYDX _dJPG _dIAD _dOCLCO _dTOH _dBDX _dOHX _dIBI _dOCLCO _dCNCCA _dOCLCQ _dGUA _dCIA _dTR-AnTOB
041	0		_aeng
050		4	_aNC1001.6 _b.P384 2021
072		7	_aNC _2lcco
072		7	_aHB _2lcco
090			_aNC1001.6 _b.P384 2021
100	1		_aPater, Ruben _eauthor _9130889
245	1	0	_aCaps lock : _bhow capitalism took hold of graphic design, and how to escape from it / _cRuben Pater.
246	3		_aCapslock
246	3	0	_aHow capitalism took hold of graphic design, and how to escape from it
264		1	_aAmsterdam : _bValiz, _c2021.
300			_a552 pages : _billustrations (chiefly color), maps (some color), portraits (some color), charts, facsimiles ; _c19 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
336			_acartographic image _bcri _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aFeaturing work by: Brave New Alps ; Caroline Woolard ; Common Knowledge ; Cooperativa de Diseño ; Darren Cullen ; Dennis de Bel and Roel Roscam Abbing ; Disnovation.org ; Ernesto Oroza ; Evening Class ; Femke Herregraven ; Gapminder ; Hank Willis Thomas ; Hardworking Goodlooking ; Iconoclasistas ; Jan van Toorn ; Jonathan Barnbrook ; Mídia NINJA ; Nicole Marie Burton ; Open Source Publishing ; See Red Women's Workshop ; Rogier Klomp ; Rosaria Forcisi ; Simon Weckert ; The Public ; Yuri Veerman
504			_aBIBINDX
505	0		_aIntro / Ruben Pater -- Part 1. The Designer as scribe. On the record / Trading information ; In gold we trust ; Notes form the bank ; The plastic economy ; Playing with money -- The designer as engineer. One size fits all / The good citizen ; Desktop power / Scientific rhetoric ; Get off my property! ; To map is to conquer -- The designer as brander. Making marks / Corporate identity ; Contraband / Stealth branding ; Selling the city -- The designer as salesperson. The sales curse ; The worship of products ; Design vs. advertising ; Quantified everything ; Crash sale / Banana republic -- Part 2. The Designer as worker. A history of work ; My work is my passion ; Work it harder do it faster ; The end of work ; Showing solidarity -- The designer as entrepreneur. Like a boss ; The star designer ; Intellectual property -- The designer as amateur. Who is a designer? ; The rise of professionalism ; If you don't get paid, it's not work ; A matter of taste ; Informal economies -- The designer as educator. Teaching design / The school as a factory ; The creative curriculum ; Who even has $50,850? ; Towards a radical pedagogy -- Part 3. The designer as hacker. The age of data / What is a hacker? ; Who owns the network ; Merchants of data ; Pixel engineers and time thieves ; Stupid artificial intelligence ; The hacker ethic / Open source ; Ethical digital design -- The designer as futurist. The Spectre of speculative design ; Priests and prophets ; The prediction economy ; Design and the future / Trading futures ; Commodification of the future ; Design derivatives -- The designer as philanthropist. Change makers / Philantrocapitalism ; Design for good / Design thinking ; Design like you give a damn ; The white saviour industrial complex ; Mutual aid -- The designer as activist ; What is activism? ; The personal is political ; The design commons -- Brave New Alps ; Common Knowledge ; Cooperativa de Diseño ; Mídia NINJA ; Open Source Publishing ; The Public -- Part 4. Outro. Alt/escape ; Common Sense
520	8		_a"Capitalism could not exist without the coins, banknotes, documents, information graphics, interfaces, branding, and advertisements made by graphic designers. Even anti-consumerist strategies such as social design and speculative design are appropriated to serve economic growth. It seems design is locked in a cycle of exploitation and extraction, furthering inequality and environmental collapse. CAPS LOCK uses clear language and visual examples to show how graphic design and capitalism are inextricably linked. The book features designed objects and also examines how the study, work, and professional practice of designers support the market economy. Six radical design cooperatives are featured that resist capitalist thinking in their own way, hoping to inspire a more socially aware graphic design."
540			_aCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International _uhttps://creativecommons.org/licenses/by-nc-nd/4.0
650		0	_aGraphic arts _xPolitical aspects _941675
650		0	_aCapitalism _922292
650		0	_aCapitalism and mass media _9138878
776	0	8	_iE-book version _z9789493246034
856	4	2	_3Educational resource kit _uhttps://valiz.nl/images/publicaties/CAPS_LOCK/CAPS_LOCK_EDUCATIONALTOOLKIT.pdf _zEducational resource kit
942			_2lcc _cBK