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_c200454645 _d72857 |
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001 | 200454645 | ||
003 | TR-AnTOB | ||
005 | 20231110163627.0 | ||
007 | ta | ||
008 | 231110s2019 enka b 001 0 eng d | ||
020 |
_a9781350125179 _q(paperback) |
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020 |
_a1350125172 _q(paperback) |
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035 | _a(TR-AnTOB)200454645 | ||
040 |
_aUKSSU _beng _erda _cUKSSU _dOCLCO _dOCLCF _dOKX _dOCLCO _dKSU _dUtOrBLW _dTR-AnTOB |
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041 | 0 | _aeng | |
050 | 0 | 4 |
_aNK1505 _b.M3573 2019 |
090 |
_aNK1505 _b.M3573 2019 |
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100 | 1 |
_aMalpass, Matthew _eauthor _9144269 |
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245 | 1 | 0 |
_aCritical design in context : _bhistory, theory, and practice / _cMatt Malpass. |
264 | 1 |
_aLondon : _bBloomsbury Visual Arts, _c2019. |
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300 |
_axi, 153 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aBIBINDX | ||
505 | 0 | _aChapter 1: Introducing critical design. Challenging orthodoxy; Challenging colloquialism: the problem with critical design; What's so critical about critical design practice; Why study critical design?; Researching critical design practice; 'Critical' in critical design practice; Industrial design as a discipline; The structure and approach to writing -- Chapter 2: History. A forgotten history of critical design practice; An emerging critical design practice; Challenging hegemony; Anti-design; Participatory design; Unikat Design: adding nothing but the concept; Representative design; Design Interactions; Critical Design at the Royal College of Art; Synergies between precedents and contemporary examples of critical design -- Chapter 3: Theories, methods and tactics. Design as a medium for inquiry; Post-optimal design and Para-functionality; Rhetorical use; Discursive design; The aesthetics of use and meaningful presence; Exploratory potential; Design fiction; Speculation and proposition; Constructing publics; Ambiguity; Satire -- Chapter 4: Criticism, function and discipline. Design art; Design art and society; Function in critical design practice; The paradox of critical design in commercial use; Modelling the field; Design at users; Directing critique through design practice -- Chapter 5: Practice. Associative design; Speculative design; Critical design; Design practice as satire; The uses of narrative; Rationality and ambiguity; Towards a taxonomy of critical practices in design; The taxonomy as an analytical tool; Applications of the taxonomy -- Chapter 6: Critical design practice and its disciplinary contribution. Summary; Challenging disciplinary orthodoxy; An extended role for industrial design: discipline, science and society | |
520 | 8 |
_a"Critical Design is becoming an increasingly influential discipline, affecting policy and practice in a range of fields. Matt Malpass's book is the first to introduce critical design as a field, providing a history of the discipline, outlining its key influences, theories and approaches, and explaining how critical design can work in practice through a range of contemporary examples. Critical Design moves away from traditional approaches that limit design's role to the production of profitable objects, focusing instead on a practice that is interrogative, discursive and experimental. Using a wide range of examples from contemporary practice, and drawing on interviews with key practitioners, Matt Malpass provides an introduction to critical design practice and a manifesto for how a radical and unorthodox practice might provide design answers in an age of austerity and ecological crisis"-- _cBack cover |
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650 | 0 |
_aDesign _xPhilosophy _9144243 |
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650 | 0 |
_aDesign _xSocial aspects _9125314 |
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942 |
_2lcc _cBK |