000 | 02003 a2200409 4500 | ||
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001 | 68774 | ||
999 |
_c68774 _d18745 |
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003 | TR-AnTOB | ||
005 | 20220426145816.0 | ||
008 | 110628s1999 enkab b 001 0 d | ||
020 | _a0714838268 | ||
035 | _a(OCoLC)ocm40683980 | ||
035 | _a(SBN)ALJ2591 | ||
041 | _aeng | ||
050 |
_aND1265 _b.R35 1999 |
||
090 | _aND1265 .R35 1999 | ||
100 |
_aRubin, James Henry _941697 |
||
245 | 0 | _aImpressionism. | |
264 | 1 |
_aLondon : _bPhaidon, _c1999. |
|
300 |
_a448 p. : _bill. (chiefly col.), map ; _c22 cm. |
||
490 | 0 | _aArt & ideas. | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: A Spectacle of Modern Pleasures -- 1. The Names of Impressionism: Modernity and Form -- 2. The Artist as Subject: The Paris of Edouard Manet -- 3. Naturalism in Plein-air: Claude Monet's Landscapes of Leisure -- 4. Places, People and Traditions: Bazille, Pissarro and Renoir -- 5. Choreography and Science: Performances by Edgar Degas -- 6. Feminine and Masculine: Morisot, Cassatt and Caillebotte -- 7. Opposition or Complicity? Impressionism and Political Power -- 8. Reassessment and Renewal: The Neo-Impressionist Critique -- 9. Commerce and Creativity: Series and Originals -- 10. Towards an Aftermath: Paul Cezanne's Modernism -- 11. Other Media, Other places: Legacies of Impressionism. | |
650 | 0 |
_aImpressionism (Art) _vExhibitions _926825 |
|
901 | _a0023445 | ||
942 | _cBK |