| 000 | 02049 a2200445 4500 | ||
|---|---|---|---|
| 001 | 68779 | ||
| 999 |
_c68779 _d12022 |
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| 003 | TR-AnTOB | ||
| 005 | 20210311171314.0 | ||
| 008 | 110217s1998 enkab b 001 0 d | ||
| 010 | _a98229703 | ||
| 020 | _a0714833886 | ||
| 035 | _a(SBN)AKX9522 | ||
| 035 | _a(OCoLC)ocm39676995 | ||
| 040 |
_aMnMCA _cDLC _dCU-SB _dOrLoB-B |
||
| 041 | _aeng | ||
| 042 | _alccopycat | ||
| 050 |
_aN6494.C63 _bG63 1998 |
||
| 090 | _aN6494.C63 G63 1998 | ||
| 100 |
_aGodfrey, Tony _941711 |
||
| 245 | 0 |
_aConceptual art / _cTony Godfrey. |
|
| 264 | 1 |
_aLondon : _bPhaidon, _c1998. |
|
| 300 |
_a447 p. : _bill. (some col.), maps ; _c22 cm. |
||
| 490 | 0 | _aArt & ideas | |
| 504 | _aIncludes bibliographical references (p. 438-440) and index. | ||
| 505 | 0 | _a1. Anti-Art Gestures in Early Modernism: Duchamp and Dada -- 2. The Postwar Period: Alternatives to Painting -- 3. False, Radical and Obdurate: Realities in the Early 1960s -- 4. The Dematerialized Object, Almost Eight Conceptual Artworks -- 5. Who Were the Brain Police?: Varieties of Conceptual Art -- 6. The Crisis of Authority: Political and Institutional Contexts -- 7. The End?: Decline or Diaspora of Conceptual Art? -- 8. Where Were They?: The Curious Case Of Women Conceptual Artists -- 9. Looking at Others: Artists Using Photography -- 10. What is Your Name?: Artists Using Words Since 1980 -- 11. Who Are the Style Police?: Controversies and Contexts in Recent Art. | |
| 650 | 0 |
_aArt, Modern _y20th century _94669 |
|
| 650 |
_aConceptual art _941712 |
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| 901 | _a0023449 | ||
| 902 | _aMÇ | ||
| 942 | _cBK | ||